Navratri special: Ever heard of Garba Visarjan?

Here’s some meaning, importance and relevance of Garba pot or matka.

Like Ganesh Visarjan, there is Navratri Visarjan too. For most of you, this would mean the visarjan or immersion of idols of Goddess Durga. But this is not the only visarjan during Navratri. There is a section of the devotees that also carry out Garba Visarjan.

This might have come as a complete surprise to many. The word ‘Garba’ generally means a dance form carried out during Navratri along with Dandiya. However, that isn’t the only Garba that exists.

Garba pot matka
Picture: Indiamart.com

Garba is actually a pot which is brought home on Navratri and then immersed on Dusshera. Just like the Ganesh idol, it is worshipped daily. But it is not like any other pot. It is a wide pot which is designed and decorated royally in different colours. It has various holes on it. This enables enough air for the lamp (diya), which is ignited inside, to keep its flames alive.

The practice of bringing home the Garba is practiced mostly among Gujaratis. But it is practiced by people from other Indian communities too.

The Garba is also used in another manner. While playing Dandiya and Garba, the Garba is placed at the center and the people dance around it in circles. The Garba symbolizes the universe while the light inside symbolizes God. In other words, it shows that God is at the center of the universe.

That’s not all though. The dancers represent the never-ending nature of life, which indirectly hints at the idea of reincarnation.

Lastly, just like the Ganesh idol, Garba too is immersed in the sea, lakes, river or ponds with much fanfare.

 

Garba-pot
Picture: http://utkarshspeak.blogspot.in

 

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Label Beh Gaye (Poem on 2017 Mumbai floods)

Here is my poem on the deadly Mumbai rains and floods that shook the city yesterday (August 29, 2017). The poem speaks about the spirit of Mumbai, like many of us. But there is also something deep hidden inside these scenes of people helping rank strangers.

Mumbai-floods-2007लेबल बह गए

निकले थे घर से सज सवरकर
धरम जात के लेबल लगाकर
साथ आया बारिश का झोंका
न लगा इसमें कुछ अनोखा

पर तूफ़ान थम नहीं पाया
२६/७ की याद ले आया
जल्द ही हुआ घातक नज़ारा
कुदरत का था जवाब करारा

मुंबई पे छाया मुसीबत का साया
निडर दिलों में भी डर ले आया
शहर बना जल समुदाय
जिसमे फसा जन समुदाय

लेकिन साथ आई एक उम्मीद
हमने पकड़ ली फिर एक ज़िद्द
भले ही ठोकर खाते रहेंगे
कश्ती को किनारा देते रहेंगे

सब ने बड़े दिल दिखाए
मानवता के झंडे लहराए
अनजान लोग अपनापन दिखा गए
धरम जात के लेबल मिटा गए

अब ठहरा कुदरत का क़हर
निकले वापस घरों के बाहर
अब भी लेबल अदृश्य रहेंगे
हम यही आशा करेंगे

– केयूर सेता

 

(In English font)

Label Beh Gaye

Nikle the ghar se saj savarkar
Dharam jaat ke label lagakar
Saath aaya baarish ka jhonka
Na laga isme kuchh anokha

Par toofan tham nahin paya
26/7 ki yaad le aaya
Jald hi hua ghatak nazara
Kudrat ka tha jawab karara

Mumbai pe chhaya musibat ka saya
Nidar dilon mein bhi darr le aaya
Shehar bana jal samuday
Jisme phasa jan samuday

Lekin saath aai ek ummeed
Humne pakad lee phir ek zidd
Bhale hi thokar khate rahenge
Kashti ko kinara deke rahenge

Sab ne bade dil dikhaye
Manavta ke jhande lehraye
Anjaan log apnapan dikha gaye
Dharam jaat ke label mita gaye

Ab thehra kudrat ka qahar
Nikle wapas gharon ke baahar
Ab bhi label adrishya rahenge
Hum yehi asha karenge

– Keyur Seta

Ganeshotsav Poem: Dhoond Raha Hoon Khud Ko

Here is a poem on the atmosphere during Ganeshotsav festival.

Ganpati-photoढूंढ रहा हूँ खुद को

वैसे तो सृष्टि के कण-कण में पाया जाता है मुझ को

पर ऐसे माहौल में मैं खुद ढूंढ रहा हूँ खुद को

आइटम नंबर्स के अश्लील शब्दों में ढूंढ रहा हूँ खुद को

हिंसक शोर शराबे में ढूंढ रहा हूँ खुद को

उस शोर से बच्चे-बीमार के कराहने में ढूंढ रहा हूँ खुद को

पढाई न कर सके छात्रों की मार्कशीट में ढूंढ रहा हूँ खुद को

पॉलिटिशंस के फोटोशॉप्प्ड़ चेहरों के बीच ढूंढ रहा हूँ खुद को

हवा में फैले पटाखों के ज़हर में ढूंढ रहा हूँ खुद को

नशे में धुत्त मवालियों की गालियों में ढूंढ रहा हूँ खुद को

उनसे की गई लड़कियों की छेड़-छाड़ में ढूंढ रहा हूँ खुद को

पर गली मोहल्ले घूम-घूम कर भी न महसूस किया खुद को

अंत में, विसर्जन के बाद के दयनीय दृश्य में पा लिया खुद को…

– केयूर सेता

 

(In English font)

Dhoond Raha Hoon Khud Ko

Waise toh srushti ke kann-kann mein paya jata hai mujh ko

Par aise mahaul mein main khud dhoon raha hoon khud ko

Item numbers ke ashleel shabdon mein dhoond raha hoon khud ko

Hinsak shor sharabe mein dhoond raha hoon khud ko

Us shor se bachche-bimaar ke karrahne mein dhoond raha hoon khud ko

Padhai na kar sake chhatron ki marksheet mein dhoon raha hoon khud ko

Politicians ke photoshopped chehron ke beech dhoond raha hoon khud ko

Hawa mein faile patakhon ke zehar mein dhoond raha hoon khud ko

Nashe mein dhutt mawaliyon ki gaaliyon mein dhoond raha hoon khud ko

Unse ki gayi ladkiyon ki chhed-chhad mein dhoon raha hoon khud ko

Par gali mohalle ghoom-ghoom kar bhi na pa saka khud ko

Ant mein, visarjan ke baad ke vivash drishya mein paa liya khud ko

– Keyur Seta

Janmashtami special: When the world saw Krishna v/s Krishna battle

We have read and heard a number of stories and incidents from Lord Krishna’s life over the years. But there is one instance that surprisingly hasn’t become well-known like other legends of Krishna. In fact, I too came to know about it just recently.

There once came a moment when the world saw a battle of Krishna v/s Krishna. Let’s know about this story as the festival of Janmashtami (birth of Lord Krishna) is almost here.

Paundraka was the king of Pundra. He was the son of Krishna’s father Vasudev’s sister Shrutadeva. So, he was Krishna’s cousin. Paundraka started thinking very high of himself after continuously receiving humongous praises from his ministers. They even stated that his greatness was comparable to Lord Vishnu.

Shri-Krishna-with-Sudarshan-ChakraHowever, at that time the glory of Lord Krishna was in full flow. Paundraka had heard stories about how beautifully Krishna had built the city of Dwarka and was hailed by his followers as the incarnation or avatar of Lord Vishnu.

This, obviously, made Paundraka jealous. Hence, he declared that he is the actual avatar of Vishnu and has arrived in the world to destroy evil. In other words, he is the real Krishna and the one ruling over Dwarka is fake. Paundraka decided to wage a war against Krishna, finish him and prove to the world as to who is the actual avatar of Vishnu.

Through some powers, he grew two more arms and carried a mace, conch (shankh), sudarshan chakra and flower in them, just like Vishnu. He sent a message to Krishna asking him to either surrender and accept him as the real Krishna or fight a war. Krishna laughed at the message and decided to go on the battlefield against Paundraka.

Krishna entered the battlefield with his brother Balram (one version also says that Krishna went alone). After a fierce battle, Krishna finally defeated Paundraka with his Sudarshan Chakra.

I wonder why a story with components like identity crisis, conflict and action hasn’t acquired fame. The tale, however, was portrayed in Director Chandrakant’s Hindi film Krishna-Krishna, which released in 1986.

Banganga Photos – II

I had done a Banganga tank picture post last year (see it HERE). But the place is such that a single post on it isn’t enough. So here I was again today. Just like last year, I chose monsoons as the time to visit here. The place is super pleasant at this time of the year.

Luckily enough, in my hour long visit, I experienced both extreme sunlight as well as heavy rains. When I landed there, I was a bit disappointed to see the sun out and the atmosphere turning very humid. Nevertheless, the place still provided with peace.

Banganga

Thankfully though, it started raining soon. The falling of heavy drops of rains on the water body appeared like nature’s way of creating special effects.

Banganga is an ancient tank situated in the Walkeshwar locality of Mumbai. History says that the tank was built in 1127 AD by Lakshman Prabhu, who was a minister in the court of the Silhara dynasty in Thane.

But legend has that water sprang up when Lord Rama, who was in search of his kidnapped wife Sita, shot an arrow at a place where the tank stands. Banganga was rebuilt in 1715 AD when Rama Kamath, a renowned businessman and philanthropist, gave a donation.

The only negative point I found here was with regards to cleanliness. The steps used by visitors for sitting need to be clean regularly.

By: Keyur Seta

More pictures from Banganga tank:

Banganga ducks

Banganga Mumbai

Banganga-in-rains

Banganga-Mumbai

Banganga-tank

Banganga-Walkeshwar

Ducks

Ducks-in-Banganga

Old Temple-Munbai

Old-temple Mumbai

Old-temple-Mumbai

 

Krishna personally didn’t kill anyone in Mahabharata war, but is it true?

(This is the 7th episode in my ‘Lessons from Mahabharata’ series. To have a look at previous episodes, click HERE.)

One of the most significant aspects about the Mahabharata war was Lord Krishna’s role in it. He ensured victory for the righteous Pandavas against their evil cousins Kauravas through various tactics. However, he contributed in a mammoth way without taking weapons in hand or killing anyone.

But what if I told you that Krishna did kill in the war?

The Kurukshetra war started off in the most unusual manner. Arjuna developed cold feet and simply refused to fight. He was overwhelmed with the very thought of killing his own cousins, although they had proven to be evil. The opposition also had his highly respected grandfather Bheeshma and teacher, Drona. Hence, Arjun dropped his bow and arrow.

Lord-Krishna-MahabharataThis was when Krishna was compelled to motivate Arjun in fighting the war. The conversation turned out to be the most beautiful enlightenment on duties of a warrior and the real meaning of life, death and journey of soul. The talk turned out to be the sacred Bhagavad Gita. It continues to be the driving force for human beings (not just Hindus) till today and shall continue to do so.

This was enough to open Arjun’s eyes towards his real duty. He went onto valiantly fight the war and the rest, as we all know, is history. The war goes down in history as the victory of good over evil.

But the biggest evil was inside Arjun. It was his weakness and faintheartedness that stopped him from taking part in the war.

This evil force within Arjun was defeated by Krishna. Man can be his biggest enemy if he is filled with weakness. Krishna killed this weakness and with it, the biggest enemy on the battlefield. If he hadn’t done that, Pandavas’ greatest warrior wouldn’t have taken part in the war. The result of this would have been disastrous.

By doing this, Krishna also indirectly gave a message that fighting the outside enemy is futile without destroying the evil within.

By: Keyur Seta

Book Review: The Sixth – The Legend Of Karna Part 1

The biggest challenge while writing the first part of a trilogy or a series is that the book should generate enough interest for the subsequent parts. In other words, if the first part doesn’t impress you, why would you bother reading the remaining parts?

Thankfully nothing of that sort happens with Karan Vir’s The Sixth – The Legend Of Karna Part 1. The book passes the biggest challenge successfully through an interesting detailed insight into the life of Karna, Mahabharata’s unsung hero.

The Sixth is so called since Karna is considered the sixth Pandava since he was born to Kunti. He was born under most unusual circumstances. After being impressed with the qualities of Kunti, Sage Durvasa granted her a boon in the form of a mantra to summon the devas. Out of utter curiosity, she summons Surya (Sun God) and ends up being a mother. Fearing the wrath of the society for bearing a child without getting married, she abandons the infant.

Revised  cover -The Sixth-5-12-2016The child is found by the royal charioteer Adhiratha and his wife, Radha. The couple considers the kid as God’s gift. They adopt him and name him Vasusena (he is later named Karna). He grows up to be a fearless teenager with a Godly gift of archery skills. Hence, his only aim in life is to become a warrior, the profession exclusive for Kshatriyas. But will the son of a charioteer be allowed to be a warrior?

The book simultaneously tells the present day story of Karan, a rich business tycoon living in New York. Out of nowhere he sees flashes and dreams about Karna. This brings him back to his roots in India. But who exactly is Karan and what is his connection with Karna?

The Sixth gets going on the enjoyable path only once it plunges fully into the life of Karna. The starting few chapters on the present day story, although not bad, don’t generate as much excitement.

However, once the story of Karna starts from scratch, there is just no looking behind. Incidents like the back story of Kunti, Karna’s birth, his abandonment, growing up with his foster parents and the consequences after he grows up are narrated with utmost sincerity and detailing.

We have read various accounts of the early years of Pandavas, Kauravas and important characters like Krishna, Bheeshma, Draupadi and Kunti. But it is rare and refreshing to get a proper understanding of the early and adolescent years of Karna as well as his psyche and inner conflicts.

Vir’s writing, especially after the initial few chapters, is creative as well as simple. He has gone into details but at the same time kept the length short. Few problem areas, however, are punctuation errors here and there.

Overall: The Sixth – The Legend Of Karna Part 1 gives an interesting insight into the life of Karna and generates interest in the two remaining series of the trilogy.

Rating: 3.5/5

Reviewed by: Keyur Seta

Additional feature: A number of creative sketches that aid in storytelling

Author: Karan Vir

Pages: 218

Price: Rs 299

Publishers: Leadstart Publishing

Cover: Attractive and colourful image of the event of Karna’s abandonment